By Brian McManus
The idea is pretty damn solid. Four guys, inspired by the New York Dolls but too ugly to pull off the whole androgyny thing, decide instead to dress like Japanese Kabuki warriors, spit blood, breathe fire and pen songs about staying up all night and partying ev-ah-ree day. That's KISS, who now, after 36 years of lineup and costume changes are once again circling the globe on their Hottest Show On Earth Tour. We caught up with KISS drummer Eric Singer - in the band on and off since '91 - to talk about the KISS machine, the fabric of Americana and what it feels like to be a permanent understudy.
The KISS monster keeps growing. Why is that?
"I think it's a couple of different factors. We noticed a change when we toured Europe in 2008. We noticed that all of a sudden, 'Wow there's a lot of kids here, like teenage kids.' It wasn't just Mom and Dad bringing little kids to the show, like babies, it was teenage kids coming on their own, like you would expect with this brand-new band or a young band. We thought, 'This is just Europe,' because we hadn't been there in a few years. And then we went to South America and Australia and New Zealand, and everywhere we went it was the same thing. It was a younger audience.
"The band has become a part of the fabric of Americana. When you think of America, a lot of people think of Coca-Cola or Pepsi, and Dr. Pepper, McDonald's, Disneyland, Universal Studios. I think KISS fits right in with those things. It's part of American fabric. It's become an iconic thing that you think about as part of America. Everywhere you go, you can show the KISS logo or the makeup designs of the guys, and everybody will go, 'Oh, that's Kiss.' I mean, they'll know it even in Malaysia."
A lot of that is to do with Gene being a master brander, right?
"It's not just Gene. I love Gene and I respect Gene, he's very much a business-minded guy, but he's not the one that invented everything KISS ever did. Ace Frehley came up with the KISS logo. So you've got to give credit where it's due. A lot of our costumes, all the things that we wear now, Paul Stanley sat there and he sketched them and designed them all out himself. When we do photo sessions Paul Stanley goes out and goes to Home Depot, and buys supplies with some of the crew guys, and he puts together the sets of how he wants it to look for the photo sessions. I mean, a lot of the stuff we do is hands-off, but a lot of the creative stuff, I have to give credit, is more Paul.