Paul Stanley of KISS on Guitar-Smashing, Phones at Concerts, and Why He Doesn't Swear Onstage

AllMusic: At the end of the DVD, you smash your guitar, which you've done for decades now. The first time you did it, was it spontaneous?

Iím not quite sure when I started doing it, but I do know that I thought, ďWouldnít it be cool to smash a guitar?Ē I grew up lucky enough to have seen the Who in í68, I saw Jimi Hendrix twice, and all these people, I saw them play for under 2,500 people, Zeppelin, Derek & the Dominos, Humble Pie, I saw all that. And beyond the music, the theatricality and drama of what some of them were doing was something that really appealed to me, and I wanted Kiss to have. The idea of almost ritualistically smashing a guitar is something so cool and touches a nerve in so many people that it seemed like a great way to put a period or to dot the I or cross the T at the end of a show, that this is finite, that this is over, itís the climax. Once I did it, I did it the next night, and I believe itís probably been a good 30 years now.

AllMusic: The DVD is from when the band was taking a bit of a victory lap after the Rock and Roll Hall of Fame induction. When you see items from rock history in a museum, do you get any kind of special thrill out of it?

I believe that a lot of the clothing that we imagine to look a certain way is disappointing in person -- photos and distance make things appear much greater than they are. So Iíve found that for the most part, seeing a display with somebodyís clothes is a letdown, they either look small or they look cheesy, but thatís not the case with Kiss. I certainly find some magic in seeing instruments, in seeing guitars or drums, not because they look any different, but because they were the messenger, they were the conduit between an artist and an audience, so that is much more palpable to me than seeing a jacket or a pair of shoes.


AllMusic: When going through the Kiss catalog, obviously the band has a lot of sexual and suggestive lyrics, but you've never really been especially profane onstage or on record. Did you know from the start that you didn't want to be explicit in that way?

I went through a very brief period of cursing onstage, and I found it ugly and I also thought it was a cheap way to get a response. My heroes didnít do it, the bands I looked up to didnít do it, and itís kind of a juvenile way for somebody to get a thrill or a response of out of an audience, and I just found that itís not part of your craft. I think that addressing and taking an audience along and being the emcee, the cheerleader, the preacher, whatever it is, is much more of a skill and a craft when you eliminate the profanity. Especially when I see people my age or of my generation up there cursing, I just think itís ugly, and itís usually disingenuous. When those people leave the stage, they donít talk like that, they donít curse. It makes me wince. In many factors in life, I do believe you lead by example, and I donít want to be known for that kind of language, and I donít want somebody else to do it because they saw me do it. I find it juvenile or offensive, and I donít want to set an example for somebody that is not accurate.

AllMusic: How much fun has it been to introduce your kids to music as they've grown up?

Having children is a second chance to have the childhood you didnít have, I think you get a chance to heal and to experience things in a different way than you did, and to share things that were important to you. In the case of my oldest, we shared so much music together, and his taste is so varied and so much like mine that itís a thrill that he knows everything from the Temptations to Robert Johnson to Blind Boy Fuller to Hendrix to the Beatles and Eric Andersen and Joni Mitchell, itís a thrill to share that with him, and with my younger ones, the start is them seeing that dad does what he loves doing, and that not only am I happy, but the people who I do it for are happy. My kids were on tour with me until a few days ago, and to see the joy on their faces, when they experience not only the concert but the crowd, and to see that Iím doing something I love, once again, you lead by example. If I can do it, you can do it. It doesnít mean you have to have the same passion as me, but you need to find your passion.

AllMusic: You've mentioned setting a good example a few times now. When did you realize that was a value you wanted to take to heart?

As I got older, I realized that one of the most gratifying things in life is what you give others, and the impression you make on others and how you help others to be the best they can be. Itís interesting when you reach a point that you truly begin to realize that giving is the greatest gift, and watching what you can impact, so I get tremendous satisfaction and a tremendous sense of peace knowing that Iím always striving to be a better person, and I think thatís the best way we can lead by example. The world is changed by individuals, and by individuals who group together, but it has to start with each person. So that may sound a bit heady or a bit corny, but itís what I believe and have always believed, and now I can verbalize it and utilize it better than before. From my experience, what we give others and how we see it impact them has a huge impact on us.

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